Since earning his MFA from the Yale School of Art in 2007, painter Daniel Rios Rodriguez has gained traction for his thickly impastoed works, which feature obscured depictions of personal experiences or reimagined traditional painting subjects—still life compositions, for example.

Known for his small, highly detailed and thickly impastoed approach to picture making, Rios Rodriguez depicts memento mori, still lives, landscapes and autobiographical scenes. Often including found elements, such as rocks, shells and feathers, which he incorporates into his densely textured surfaces, he builds frames for his paintings with materials such as wood and rope, which become part of the work itself. His intimately-scaled and unconventional paintings have been compared to the collages of Picasso, Paul Klee, Merlin James, the early work of Jean Dubuffet, and perhaps most significantly, the Texas-born painter and eccentric Forrest Bess, while nevertheless being notoriously unplaceable.

Curriculum Vitae, 2016

Born in Killeen, TX, 1978
Lives and works in San Antonio, TX

2007 MFA, Yale School of Art
2005 BFA, University of Illinois at Chicago


2018 Bite the Tongue, Kerlin Gallery, Dublin, Ireland

2018 Chinati Foundation, Artist in Residence Exhibition, Marfa, Texas

2017 Nicelle Beauchene Gallery New York, NY

2017Cooper Cole Gallery. Toronto, Canada
2016 Lulu, DF, Mexico City
2016 Western Exhibitions, Chicago, IL
2015 Artists Looking at Art, McNay Art Museum, San Antonio, TX
2014 Crosseyed and Painless, Sargent’s Daughters Gallery, New York, NY
2013 Paint Work, One River Gallery, Englewood, NJ
2011 White Columns, New York, NY


2017 Summer show, Michael Benevento Gallery, Los Angeles, CA

2017 Summer show, Kerlin Gallery, Dublin, Ireland

2017 Of a Well Sucked Apricot, Tif Sigfrids, Los Angeles, CA

2017 The Third Hand, Fortes D'Aloia & Gabriel, São Paulo, Brazil Curated by Erika Verzutti
2017 Quiet, Barbara Seiler Gallery, Zurich, Switzerland Curated by Samuel Leuenberger
2016 The Faraway Inside, Nicelle Beauchene Gallery, New York, NY
2016 A Change of Heart, curated by Chris Sharp, Hannah Hoffman Gallery, Los Angeles, CA
2015 And There Is An End, James Harris Gallery, Seattle, WA
2015 Figuratively, Wilkinson Gallery, London, UK
2015 And There Is An End, Roberts & Tilton Gallery, Los Angeles, CA
2015 Cabinet of Curiosities, Mini Art Museum, San Antonio, TX
2015 Artists Looking at Art, McNay Art Museum, San Antonio, TX
2013 Painting 101, Sargent’s Daughters Gallery, New York, NY
2013 Why is Everything the Same? Works from the Collection of Anne Collier and Matthew Higgs Martos Gallery, New York, NY
2012 Pig Party, Organized by Gina Beavers New York City Gallery, New York, NY
2012 Sleep Late, My Lady Friend: Joshua Abelow, Ella Kruglyanskaya, Daniel Rios Rodriguez, Horton Gallery, Berlin, Germany
2011 Sailors and Shamans, Marvelli Gallery, New York, NY
2011 Scrawl, Artspace, New Haven, CT
2007 La Casa Cultural, Yale University, New Haven, CT
2004 Juventus, Ukrainian Institute of Modern Art, Chicago, IL

2013 Louis Comfort Tiffany Foundation Award


  • MacMillan, Kyle. Daniel Rios Rodriguez, Western Exhibitions Review, Art in America, April 2016

  • Dluzen, Robin. Daniel Rios Rodriguez, Visual Art Source, February 2016

  • Herbert, Martin. Review: Four Painting Shows, Frieze, September, 2015

  • Pagel, David. And There Is An End, But no end to its goofy appeal, Los Angeles Times, March 2014

  • Kohler, Willam Eckhardt. A few current shows Part II, Painting Lives, March 2014

  • Corwin, William. It’s Elementary: Painting 101 at Sargent’s Daughters, Art Critical, February 2013

  • Barry, Mark. A Thing about Painting, Ionarts Blog, November 2013

  • James, Jamillah. Studio Visit: Daniel Rios Rodriguez, Studio: The Studio Museum in Harlem Magazine, Summer/Fall 2012